AFAT. Rivista di Storia dell’arte fondata nel 1975
Abstract
This article presents and analyses, for the first time in Italy, three unpublished works of Pietro Antonio Rotari: two drawings from the Museum of Art of Providence and the Nativity from the Stimmate Institute of Verona. These are important testimonies for the definition of some still unknown aspects about one of the most important painters of the Eighteenth century in Europe.
