The advanced technologies of representation and communication can provide new methods for the fruition of Cultural Heritage. Recently the role of tactility is becoming central in extending the knowledge of artworks to a wider audience, overcoming impediments and perceptual barriers that in the past did not allow the enjoyment of artistic assets, for example to blind and partially sighted people. The application of appropriate procedures to Isonzo
sculptural, architectural and pictorial masterpieces allowed the reproduction of tactile copies with a high informative content.
