Adolfo Natalini’s outlet sounded very familiar: “We continue to make paper architectures and think of them as made of Elba granite, of black diorite, of gray trachyte. The very few things that we can do are pathetically coated with white ceramic, as children in Limbo." These lines exuded our same ambition, both as editors and, I would add, as architects. The ambition to build something durable, that would last in time and occupy a specific space in the field of our discipline.
