Purpose of this study is to show as, notwithstanding meaningful differences, the individual inserted in its fundamental community context is central for both Kant and Florenskij. The kantian analysis in The Critique of Judgmnent is tied up to the subjective universality of the art ("common sense") and to the inter-personal connective value in the recognition in it of the value of Beauty; as many as it happens in Florenskij, where the icons connect in the orthodox rite a double assembly reunification, that of the humanity and that of the celestial people, in the great one Divinehumanity of the liturgical Sobornost’.
