The article enriches the catalog of the works of Giuseppe Tominz (1790-1866) surveyed in the monograph published
in 2011. The miniature, signed, with the portrait of Pope Pius VII and the nineteenth century copy of
the illuminated portrait of the painter’s mother confirmed the activity of Tominz in this particular field of art.
Among other paintings, little-known, unpublished or new assignment, stands the portrait of two children,
to identify with what was shown at the Trieste 1841. The reference to engraving “Une Tragédienne” for the
“Portrait of Giuseppina Holzknecht” (Trieste, Museo Revoltella), is further evidence of the attention of Tominz
for his contemporary French painting.
