The performance is a recurring theme to discuss the contemporaneity and its implications in the academic theater arts scenario. The Author bring us to reflect on this artistic language and immerses us in the scenic space, also passing through the space of “non places”, as Marc Augé defined the places of passage, without identity or memory. The queen of solitude is a performative artistic experiment which lead us to reflect on the “non places” where the Author intends to establish a dialogue with the passers-by, discussing on supermodernity, on the era of excesses, thus widening the dialogue between art and contemporaneity, starting from a poetic project in the urban scene.
