Una pintura ramificada. El retrato de Garibaldi de Prilidiano Pueyrredón como punto de acceso a las sensibilidades (Buenos Aires, 1860)

The author traces the itinerary of the portrait of Garibaldi that Prilidiano Pueyrredón painted to access the cultural environment of Buenos Aires in 1860, revealing through this iconography the importance of the Italian migrant component in the formation of modernizing premises and new forms of sensibility among the “porteños”.