Starting from the critical premises that underpin the debate between archeology and architecture, some evidence emerges: sometimes, the musealization of buildings, "urban carcasses" and historical ruins – which are our legacy from the past – is even more harmful than that of any other artefact, for the purposes of their real understanding. In a country like Italy, which has archeological presences more than any other, architecture must contribute to overcoming the consolidated aporia that the Contemporary, conceived not only as a period but also and above all as its "forms and functions", is structurally in opposition to the conservation of archeological heritage. "Spatium ad Omnes", the project presented in this article, is an attempted exercise at "inhabiting archaeology", that is, trying to re-grant inclusive usability to a historical fragment, which has lost the elements necessary for its liveability, paying attention to the reversibility of the project itself. The set of questions, doubts and steps preliminary for the design have been highlighted more than the final "figure" of the project: an essential form directly connected with the primordial principles of its constitution. "Spatium ad Omnes" protects and encourages visiting the complex, trying to offer new perspectives, new narratives and new connections that translate into the possibility of being – for those who visit this place – the protagonists of a unique experience made of history, memory and continuous discoveries.
